There was no On The Shelf article last Wednesday because of a week without any new manga releases on my schedule list – how depressing was that? Well I guess we’ll accept those mini lulls now and again, especially with big release days like today following it up.

It’s Viz Media‘s big shipment of the month with nineteen new volumes of manga, including the first volume of A Devil and Her Love Song. You can read the full list of titles out this week over at Otaku USA’s On The Shelf article this week. Along with a slew of new volumes of shonen and soujo series, there’s also new volume of the well-loved Finder series from Digital Manga and two new of their Project-H books. Hopefully something for everyone – enjoy!

Manga-ka: Riosuke Yasui
Publisher: Project H
Rating: Mature (18+)
Release Date: August 2011

Synopsis: “Fed up with how the world is being run, Ryuubi decides to do something about it. She is determined to rule it herself! And her first step towards world domination is to enlist a strategist into her camp. But the minute she rinds said strategist, Takaaki, she seems to become preoccupied with making as many heirs with him as possible! Indeed for Takaaki, there isn’t much strategizing to be done, more like sexual servitude, as world domination seems to have taken a beat to Ryuubi’s carnal cravings. On the other hand, Kan’u and Chouhi, Ryuubi’s sisters-in-arms are truly intent on their duties. They plan to “help out” Ryuubi as much as they can in case their ruler fails to produce an heir! And as if things couldn’t get any steamier, Takaaki’s childhood friend Motoko suddenly realizes that she has the hots for him as well. It seems there’s no rest of the hapless strategist. Indeed, this “version” of the Romance of the Three Kingdoms is something you’ve never seen before!”

The back cover’s rather thorough walk through of Shocking Pink!‘s plot makes it pretty clear that intrigue and cleverly withheld plot developments aren’t what this story is all about. As the first title released under DMP’s new hentai imprint, Project-H, we know it’s not the plot we’re going into Shocking Pink! For. Offering all the cover gives up and then some, if you like what you see on the book’s (uncensored) outsides then there’s a good chance you’ll favour its contents as well. Warning: Book and review contains 18+ only material!

For all the synopsis’ transparency, it was the plot that actually got me really curious about Shocking Pink!- reincarnated Romance of the Three Kingdoms characters in porn form? How was that going to work? Turns out it works about as far as getting the characters together, no more or less better then any of the old classics would’ve – long-lost childhood friend, a runaway looking for a place to stay, distant cousin, half-sister, surprise fiance, etc. etc. So why not the reincarnation of a general seeking out fellow reincarnations to build up a long-lost empire? Once the confident and very forward Ryuubi enters Takaaki’s life, the plot basically goes out the window share for a few moments where we need to be reminded just how dedicated all the girls are to their ’cause’.

I liked Takaaki as the main character, irrelevant as he really is amidst the harem of woman now surrounding him. He’s a little snarky and is often inflicted with momentary bouts of sane disbelief. A little personality definitely goes a long way compared to the faceless, ‘imagine-you’re-me!’ male leads that populate a lot of hentai. Brief situational concerns aside, Takaaki of course doesn’t have any issue with the continuous sex now afforded to him, except for maybe that it happens a little too frequently (a breather won’t kill anyone). When the going gets good, and going good for him it often does, he’s prepared to reciprocate in full making these scenes good two way streets, as it were, even if the ‘camera’ stays expectantly rooted on the girls’ reactions specifically.

The sex itself is pretty vanilla, keeping itself interesting with a variety of different poses and angles. Mostly the hook factor is just sex, sex and more sex. At about 250 pages, you get your porn’s worth. There’s just enough talking to show that it isn’t all these people do, just mostly. Along with Ryuubi, you have her initially two-person entourage. All three girls have their own somewhat unique personalities – be it the confident Ryuubi, strong girl Unchou or shy girl Chouhi, and the story takes just enough time to have each sex scene come about differently to play on their quirks and attitudes. An entertaining late edition to their strange little group is a young woman they find dressed as a horse on the street (yes, that’s what I typed). Her sullen, flat expression combined with her slightly more forward nature makes her one of the book’s more notable participants.

The book’s final chapters take the focus to Takaaki’s childhood friend (there she is) who must now defeat Ryuubi and her girls to lay claim to Takaaki. A four on four fight in a boxing ring does the trick, but of course none of the fights really play out in the way anyone expects. This is especially true when a boy-girl set of little twins get ‘involved’ (including with each other in the book’s one semi non-consensual scene). Then there’s the inclusion of said-childhood friend’s older sister who sports an eye-patch, an attitude and a perfect boyfriend all her own. Adding extra amusement to it all is the book’s extras’ section which includes detailed biographies and back-stories for each female character that never made it into the story itself.

The art style is attractive and professional looking with a style I could easily see depicting a more-ages-friendly high school comedy if not for the tell-tale chest baggage. If you like breasts large, then Shocking Pink! is for you (with the actual cover giving you a not-so-sneaky peek). When the story shifts near the end to some out-of-bed action, the art style keeps up with good fight scenes however brief. The inking is consistently sharp while the screen-toning makes every inch of flesh look nice and grippably plump. Just about everything here is uncensored also, so no invisible penises, though you will see that amusing teeny tiny black bar on genitals that covers absolutely nothing.

Digital Manga is giving their Project H books more attention than I had expected they would, going back to the larger trim sizes their boys’ love titles used to have. Shocking Pink! also has four full-colour pages at the beginning that wastes no time reminding you why it’s explicitly rated. There’s a reason their Project-H logo is a face with blood gushing from his nose (but so eloquently). Sound effects for every blush, goosh, slurp and ‘kulch’ are translated and typeset next to the original sound effect. It can make the sex scenes look a tad crowded but with everything going everywhere anyway, it hardly stands out.

I can hardly imagine a better sort of title to start their hentai imprint off with than Shocking Pink!. It’s got an assortment of girls, a guy with an actual personality, uncensored artwork, entertaining comedy and a very high sex-to-plot ratio. It was silly and fun. If you’re not out looking for porn – be it for entertainment or otherwise – then you best avoid this one to the best of your ability. But, if you fall in the other category of ‘yes please!’, then be sure to buy yourself a copy and enjoy.

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Book provided by Digital Manga for review purposes
Uncensored book cover available to see on the Project-H website

Digital Manga’s newsletter this week announced a new boys’ love title license – Shoko Takaku’s I’ve Seen It All. The series currently has two volumes released in Japan, though Digital Manga’s announcement doesn’t specify if their license is for the first or both.

09/02/12 Update: ANN has confirmed with Digital Manga that their license includes both volumes.

I’ve Seen It All is about a doctor who specializes in male genitalia. He spends his days helping men with a variety of issues and becoming more and more disenchanted with the notion that a male can be attractive between the legs. Enter a man named Asano! I’m sure you can guess the rest. You can read (in Japanese) a more detailed description and see a close up of the cover on Amazon.jp. Sounds pretty entertaining to me!

I still get nostalgic seeing Shoko Takaku’s work since their title Passion was one of the first boys’ love released in English (excluding Gravitation which had strong BL elements). It was thus the first BL title I bought. I still remembering running to the store from school to buy it the day it came out and being the first in my group of friends to proudly hold up a boys’ love book. Her work was thus the first BL to hit my bookshelves and the start of many more to come!  Along with the four volume series, Passion, Digital Manga has also released two Shoko Takaku one-shots, Kissing and Shy Intentions.

There’s no news yet on when I’ve Seen It All will be published.

As a little end of the week treat, Digital Manga announced via their Twitter account that they’ve licensed Momoko Tenzen’s one-shot, Flutter.  It’s one of their most recent works, published in Japan just this past October. Digital Manga confirmed on their Twitter shortly after that Flutter is one of their standard licenses, meaning it’ll go to print and have a digital edition.

Flutter is about two businessmen who come into a relationship after being paired together on a project at work. The book also includes another short story titled Sleepless Siesta.

Digital Manga has released seven other Momoko Tenzen one-shots in the past and each one was under their boys’ love imprint, June. Flutter will presumably be published under the same imprint as well. If curious about the creator’s other works, Shannon has reviews posted for La Satanica, Ciao Ciao Bambino and Suggestive Eyes. I also wrote a review for Momoko Tenzen’s Manhattan Love Story.

Digital Manga announced a new manga license early this weekend – Chihiro Harumi’s Velvet Kiss. The title has been licensed under their Project-H imprint which is for their hentai titles (18+ only!).

Velvet Kiss is currently four volumes in Japan. Digital Manga’s license is currently for the first two though there’s no info yet regarding when the first volume will be released. The series is about a young man who finds himself looking after a woman in lieu of paying off a large debt he owes.

(( Edit: The news of Velvet Kiss being licensed was previously announced back in November 2011. My mistake and apologies for forgetting I’d already posted on it, while Digital Manga themselves seems to have made the same ‘oops!’. Nothing wrong with some extra enthusiasm… right? ))

I haven’t had any luck getting copies of Digital Manga‘s Project-H books as of yet, with multiple titles currently released. The company’s books are tricky enough to get a hold of with release dates through their Akadot website varying by a couple months to bookstores and Diamond Comics. Project-H books seem to be doubly hampered by low print runs (which is not unexpected for this kind of title) that have left me on cancelled or waiting lists for Amazon, Chapters and the direct market since their first book was released mid-2011! I’ve heard from a few who’ve been able to get copies shipped their way though so the books undoubtedly exist, they just take a bit more effort than many it seems. If you’re ordering online, pre-ordering these titles seems your best bet to get a copy. You can expect a review or two here on Kuriousity for Digital Manga’s newest imprint as soon as me or my writers manage to find a book!

On Friday Digital Manga Publishing launched their second Kickstarter – a crowd-souring website that takes monetary pledges towards a goal. While DMP’s first project was to fund Osamu Tezuka’s Swallowing the Earth back for a second printing, this time they’re collecting pledges to go towards licensing and publishing a new Tezuka title – Barbara.

“Wandering the packed tunnels of Shinjuku Station, famous author Yosuke Mikura makes a strange discovery: a seemingly homeless drunk woman who can quote French poetry. Her name is Barbara. He takes her home for a bath and a drink, and before long Barbara has made herself into Mikura’s shadow, saving him from egotistical delusions and jealous enemies. But just as Mikura is no saint, Barbara is no benevolent guardian angel, and Mikura grows obsessed with discovering her secrets, tangling with thugs, sadists, magical curses and mythical beings – all the while wondering whether he himself is still sane.”

In only two days the company has received pledges totalling more than the $6500 they were asking for. Their press release states that additional rewards (extras for those who pledge more than the $25 cost of the book) will be released throughout the month leading up to the date they’ll be closing the drive and collecting the money (February 13th).

While those who pledge $25+ in this drive have been guaranteed copies of the book once it’s complete – scheduled for sometime in July 2012 – Digital Manga’s Ben Applegate has stated that copies will also be printed and distributed to bookstores as well. I’m grateful for this as it allows me to keep supporting my local businesses and avoid the $20+ I’d very likely end up paying just for the shipping of a single book to Canada through their service (which I’ve now learned is considered overseas? Choose a better word, USPS!). It also means those new to Tezuka or manga, or those curious but not willing to buy blindly, can still have a chance to flip through and make an informed decision. There’s no word on what size this print run will be though and it’s questionable how available this title will be when they need to seek outside funding from consumers just to finance it initially.

The last time Digital Manga used a Kickstarter drive to fund their operations I was skeptical and even after the first’s success, I still am. I’m thrilled to see another older title get a shot at English publication, let there be no question of that. But that Digital Manga is again using a system like Kickstarter – typically used by individuals or small groups without financial backers or partners that companies have – still just doesn’t sit right with me. While I shared my initial thoughts back in November, this second project prompted elaboration as I continue to try and pinpoint what this kind of move means to me and other manga readers.

Note: The thoughts and opinions expressed in this editorial are based on Digital Manga’s use of Kickstarter and not other projects utilizing the website.

There is definitely excitement and enthusiasm from fans fueling this drive, but it also feels like driving the pledging frenzy is the underlying sense of guilt and worry. After all, if you don’t pledge, you may never see the book. If you don’t pledge, it means you don’t want the manga at all. If you don’t promote this book you’ve likely never read and this initiative you only have on a promise will deliver, there will be no book. If Digital Manga Publishing isn’t able to create and print this book it is your fault.

There’s a difference between empowering a consumer and passing off the responsibility to them.

It bothers me that DMP’s kickstarter expects a big blind buy by consumers. For some, this is okay. Maybe it’s faith of a creator’s previous work or simply artwork or a story that really strikes them. Ordering online is a blind buy in many respects already but usually previews, reviews and advertising play a large role in the decision to buy. For something like Barbara there’s certainly faith in Osamu Tezuka – his reputation, his previous works. But will you like this one? Do you have any way of knowing unless you’ve read it already via alternative means?

This is a pre-order process you cannot back out of. Typically with pre-orders you wouldn’t pay until your book is shipped or has arrived for you. You don’t give your money until you know you have a product in exchange. Kickstarter is designed to not have the pledges paid out until their goal is met, but even then the money is paid out on a promise. Digital Manga has even said in the case of Barbara, the title hasn’t even been licensed by them yet! That’s a tricky enough process to nail down in itself, let alone any production snags along the way. Pre-orders to me are about companies and retailers gauging the interest in a title and to stock accordingly. They’re a way for readers to feel confident they’ve secured themselves a copy and one they only pay out to when that confidence is rewarded come release-day, a security I don’t see this Kickstarter providing.

I believe a company holds the key responsibility for marketing, distributing and promoting their own product. It not only defines their role traditionally but also defines a great bulk of their purpose. Of course in this age of internet and social media, word of mouth is going to play a role but a company shouldn’t expect this to be the entire push process. It’s the companies’ job to determine interest, to fund their work and to put it out there. It’s readers responsibilities to then support it and the companies further responsibility to shoulder the results. This is what they use going forward – to know what to publish, what to decide against and how much to do. They have a vast library of previous titles at their disposal for example and financing. They’re a business and these are just some of the resources that further define them as such.

Companies traditionally take chances, put the work in, make a solid product and then give it to the customers, reaping the benefits of their hopeful successes. Digital Manga is watching as it’s consumers do the initial legwork, and then rewarding ‘us’ for our work – if we worked hard enough anyway.

What happens if the pledge numbers are reached (as they have been by this morning), and then the book doesn’t happen? License issues, printing problems, cut-backs, push-backs, cost fluctuations – who knows. Will everyone get their money back? What about those bonus rewards? Null, void? Is there any security you’ll be re-compensated if the promise isn’t met? I personally have faith Digital Manga will publish what they say they will eventually, but I’ve also been buying their books for almost a decade. Where’s the assurance for others? Kickstarter itself offers no assurance to individuals who pledge should a project owner for any reason not deliver. I wouldn’t expect them too either as the platform, not a partner. If this project hits the worst case scenario, where are we at?

Seeing so many pledgers in such a short period of time is promising. It’s great seeing eager fans come out and support the manga they want to see. Even so, the number of backers is still individually quite small – currently under 200. This makes the average pledge per person very high, much more than the same number of supporters would be giving to Digital Manga if they were buying the books off the shelf. We can assume this small pool of readers were buyers before but it makes me curious about past sales numbers. Actual numbers are usually a mystery with manga but with such little faith in a positive return for this work if done traditionally, it really makes me want to know how Tezuka’s works turned out previously for them. They seem to do well for Vertical, who pushes and promotes their works extensively, but what about Digital Manga? How did Swallowing the Earth do in its initial run?

It kills me that I feel so troubled over supporting manga in print, one of my greatest passions to see continue, but I can’t help but feel used. I feel like our love for manga is being taken for granted. Taken for granted we’ll do not only do the fund-raising but the marketing now as well. Not to mention the cheap crowd-sourcing already under way with Digital Manga Guild – it has its own barrel of pros and cons. This is different from community hyping – this is crowd-sourcing that lets a company sit safely on the sidelines while we shoulder the burden. It leaves those desperate to support left with nothing if others can’t or won’t step in to support something on blind faith. No one loses here but the reader, teased with a title they may never see…

I’m not entirely against a process like this. I do believe companies will need more consumer support to take risks on titles as the market continues to fluctuate. I love they say their backers may even get some input into things like the graphic design and access to extras like posters and t-shirts. I do believe, however, that a company like Digital Manga needs to still make the initial steps themselves. License a title. Ensure to us the product will actually be there first, in at least some capacity. Don’t tease us. Don’t make us shoulder the guilt that we can’t finance your company getting a title in the first place. If it’s an instance where it’s a multi-volume series and sales dip so much you can’t publish anymore, it’s alright. We understand. We’re sad but we know you at least tried. But right out the gate with a volume one or one-shot? That’s your train to get started. Get it for us and we will get on board.

Why not license and publish the book digitally first? Give us a way to preview it. Let us pay the digital amount to read the whole thing. If we want a print copy, go for print on demand or a system like Kickstarter. I think this where the method is appropriate. It shouldn’t be all or nothing. It’s allowing collectors a premium service, not denying them altogether if others aren’t able or willing to be as zealous.

I like that Digital Manga’s Kickstarter is working because I want to read this title. I will very likely buy a copy of this book when it’s released and available for me, when I’ve had a chance to flip through it, read reviews on it, learn about it, form my own opinion and then support it with an eager buy like I do all the other titles on my shelves. I still don’t feel this use of Kickstarter is the right way to go for publishing books like Digital Manga is, straight from the gate and with a license not evenly firmly in hand. It offers a great opportunity but at questionable cost. While for me as someone living ‘overseas’ , the almost 50% additional final shipping cost is painful enough, but I feel the price truly most harmful is the cost of faith in Digital Manga’s own independent abilities.

Gardena, CA (January 13th, 2012) As part of its effort to accelerate the licensing and publishing of high-quality niche and classic manga in the United States, Digital Manga, Inc., today launched a campaign on crowd-funding site Kickstarter to translate Barbara by Osamu Tezuka, an adult drama never before published in English. For the next 30 days, fans will be able to pledge in exchange for a variety of rewards, including copies of Barbara and exclusive bonuses. If the target total of $6,500 is reached by the deadline (Feb. 12, 2012), production of Barbara will move forward.

The campaign follows on a previously successful Kickstarter project to fund a new print run of another work by Tezuka, Swallowing the Earth, which made more than 220% of its goal in November and December. (New copies of Swallowing the Earth will be available through Akadot.com in February.) If the Barbara campaign reaches its target, Barbara will be published under Digital Manga’s DMP Platinum imprint in a large paperback, 5 7/8″ x 8 1/4″, the same size as Swallowing the Earth.

Additional bonuses include a digital companion to Barbara available exclusively to Kickstarter backers, a limited-edition Tezuka tribute poster with original art screen-printed by Two Rabbits Studios in downtown Los Angeles and original T-shirts printed by Forward Printing in Oakland, CA. Final art for the posters and T-shirts as well as additional rewards will be posted on the Kickstarter page as the month progresses.

“Put simply, Barbara is the story of a man caught between artistic decadence and madness.” – Osamu Tezuka

Barbara opens with famous author Yosuke Mikura wandering the packed tunnels of Shinjuku Station, where he makes a strange discovery: a drunk woman, her rags caked in mud, who can quote French poetry. Her name is Barbara. He takes her home for a bath and a drink, and before long Barbara has made herself into Mikura’s shadow, saving him from egotistical delusions and jealous enemies. But just as Mikura is no saint, Barbara is no benevolent guardian angel, and Mikura grows obsessed with discovering her secrets, tangling with thugs, sadists, magical curses and mythical beings – all the while wondering whether he himself is still sane.

The father of modern anime and manga, Osamu Tezuka (1928-1989) is the creator of iconic characters including Astro Boy and Kimba the White Lion as well as the author of many acclaimed graphic novels including Buddha and Ode to Kirihito. Written in 1973 and 1974 and inspired by the classic opera “Tales of Hoffman” by Jacques Offenbach, Barbara is one of Tezuka’s most psychological and personal manga, an allegorical look at the difficult choices and torturous doubts every artist must face.

“We are incredibly excited to bring Barbara to American readers, and to explore this new route to publication for niche-oriented manga,” said Ben Applegate, editor of the DMP Platinum imprint. “In the future, we hope to offer more Tezuka titles through Kickstarter as well as titles from other Japanese artists whose work is underrepresented in the United States. First and foremost, of course, we are grateful to the fans who made this possible and to Tezuka Productions for taking a chance on a brand new way to license manga.”

The Kickstarter campaign, with promotional materials and a video, can be viewed here:

http://www.kickstarter.com/projects/digitalmanga/publish-osamu-tezukas-barbara-in-english

* – All logos and art are not final.

_______________________________

About Digital Manga, Inc.

Located in Gardena, CA, Digital Manga, Inc. is one of the industry’s most unconventional and innovative companies, specializing in building corporate and cultural bridges from Japan to the Western Hemisphere – specifically through the licensing, importation and preparation of anime (Japanese animation), manga (Japanese comic books) and related merchandise for the North American mainstream and subculture markets. In this capacity, DMI serves as a catalyst for the expansion of Japanese pop culture institutions into global arenas. The company’s DMP Platinum imprint publishes classic manga from Japan, including Swallowing the Earth by Osamu Tezuka and Speed Racer: Mach Go Go Go.

For more information about Digital Manga Publishing, visit www.digitalmanga.com or www.dmpbooks.com.

Follow us on Twitter at: @digitalmanga
Find us on Facebook: Digital Manga Inc.

Diamond Comics is North America’s largest comic book distributor. If you have a local comic store in your area, it’s very likely they get their books from them. Every month Diamond releases a giant magazine, Previews, containing all the products they have – from comics, manga, DVDs and merchandise – that will be released starting in about two months’ time, giving retailers and buyers the chance to put their orders in before shipping dates.

I’ve been picking up the Previews magazines for years, oogling all the different books coming out from publishers and wondering how long until the stacks of Preview magazines I’ve yet to get rid of will crush me in my sleep. Starting now I’ll be writing about the different manga content published in Previews each month here on Kuriousity. This includes all the manga titles listed, the top Manga sellers as tracked by Diamond and mention of other things of interest I spot. With the small two month window, Diamond Previews has rarely been the source of new licenses but it’s a great reminder and showcase of all the books coming our way soon, plus the perfect time to get your orders in, whether through Diamond or at your online retailer of choice.

I’ll also be including with these monthly Preview posts a downloadable PDF that you can print off and check off the manga  you’d like to order. Then it’s as easy as bringing it into your local comic or book store – wherever in your area that orders in through Diamond Comics! Currently the list is just the names and does not include the Diamond order codes. I’ve never come across a store that requires them for ordering but if yours does, let me know and I’ll include them on subsequent files:

January 2012 Manga Previews Checklist (PDF)

You may continue reading at your own discretion for my thoughts, elaborations, random pictures and the Top 10 Selling Manga of November 2011!

With Free Comic Book Day 2012 coming up on May 5th, a handful of pages were dedicated to showcasing the comics created specifically for that day. For manga publishers, Drawn & Quarterly, Fantagraphics, Viz Media and Yen Press were all present. The only work strictly manga-related (though more specifically, manhwa-related) comes from Yen Press who are publishing a sample of their upcoming adapted book, The Infernal Devices: Clockwork Angel. Viz Media’s sampler is for their upcoming original comic based on the Voltron franchise – Voltron Force. Both books will be the FCBD standard of 32 pages. You can learn more about Free Comic Book Day (a gloriously annual event!) and the comics they’re offering this year on their website.

Next up is Dark Horse‘s section where the company traditionally has a batch of full-pages promoting their upcoming releases. This month they have a preview page of the second volume of their Avatar The Last Airbender sequel comic, The Promise. Volume one is due out this February and I can’t wait!

It’s been a while since I’ve read Adam Warren’s Empowered series but I was pleased to see it continues with volume seven on the way. The series is hilarious, chock full of pop culture jokes and super hero story spoofs. It follows a try-hard fails-bad super heroine named Empowered and her collection of allies, enemies and weird in-betweens. I was always impressed and extra entertained by the manga in-jokes including a healthy dash of playing around with boys’ love tropes and manga stereotypes to amusing, not offensive, effect. It’s a series I’ve got to get myself caught up on.

Dark Horse’s FLCL omnibus has a preview page and a May 16th release date for $19.99/US. “The complete FLCL manga adaptation – now with bonus color illustrations and remastered story pages!”. Also in their preview section was Bride of the Water God (Vol.11) which they promote as being a “Best-selling series in the United States and Korea!”. I guess that means it’s doing well? The second volume of Blood Blockade Battlefront is promoted a bit more humbly as “Sci-fi insanity from the creator of Trigun and Gungrave!”.

Here’s a fun piece of new Star Wars merchandise – a t-shirt with a coloured interior page from the Star Wars manga. It was released originally back in the late 90s with art by Toshiki Kudo. With the old-school manga take on the characters and the fun giant comic sound effects, I’m tempted to buy it!

Yen Press‘s manga-style adaptation of Soulless made the Previews’ featured section, as did Yoshihiro Tatsumi’s Fallen Words being published by Drawn & Quarterly. Both are one-shots and definitely on my to-buy list. Soulless really caught my eye after I read the sampler they had at NYCC 2011. The art is fantastic! Fallen Words also earns the Preview magazines’ “Certified Cool” stamp, meaning books they note as being especially worth checking out.

Just like when Tokyopop shuttered their doors unexpectedly quick, it’s sad seeing ads for upcoming volumes of Bandai Entertainment books. Here they have Kannagi (Vol.04) promoted which would’ve been released in March. We know from Bandai’s PR that this book has been cancelled.

Digital Manga continues to buy full pages to promote select upcoming titles of theirs as well. It’s great to see the worth is there for publishers to advertise their manga to the direct market. In this month’s previews, they have full page ads for Itazura na Kiss (Vol. 08), Replica (Vol. 02), Countdown 7 Days (Vol. 02) and Moon & Blood (Vol. 03). Of the four, I’m most excited for Replica and Countdown 7 Days which are definitely hidden gems I think more would like if they came across copies. These ads may become posters on my wall after I’ve put my orders in.

Onwards Towards Our Noble Death – which was originally released in April 2011 by Drawn & Quarterly – is featured in this Preview edition as a Star of the Month title. It’s another distinction in the magazine for a notable title. Yoshihiro Tatsumi’s A Drifting Life (which is going to a new printing) is also a Star of the Month. I really loved A Drifting Life so I’m glad it needs a second edition.  The creator’s four other one-shots are also featured - The Push Man, Abandon The Old in Tokyo, Black Blizzard and Good-Bye – so they should all still be available for you to order into your local store.

Kodansha Comics‘ has eight new volumes listed – Air Gear (Vol.23), Arisa (Vol.07), Bloody Monday (Vol.05), Cage of Eden (Vol.05), Gon (Vol.05), Deltora Quest (Vol.05), Love Hina Omnibus (Vol.03) and Sayonara Zesubou-Sensei (Vol.14). Adding to my frustration with the company, every synopsis is one generic to the whole series, saying nothing specific for the volume itself. Most are those used for volume one. It’s the same thing the company does on retail sites and even their own KodanshaComics.com. Drives me batty! I’ve contacted the company about it but haven’t heard anything back. Gon earned a special Kid-Friendly stamp while Sailor Moon (Vol.01) is re-listed as another Star of the Month.

I was pleasantly surprised to see a listing for One Peace Book‘s Breathe Deeply. The book caught me off guard when it appeared fully published and ready for the market at NYCC when news of the license hadn’t even been promoted. It’s good to see the dark medical one-shot get some wider market advertising, even if it’s description does start with the often groan-worthy “…begs readers to forget what they know about manga.”

Next up in the alphabetical publisher listings is Seven Seas Entertainment. They’ve got listings for Blood Alone (Vol.06) and Toradora! (Vol.04). Both volumes are listed at $11.99 which is a one dollar increase from the original $10.99 that the first two volumes had – I hadn’t even noticed the increase when I bought the third books. Uneven as the singles look next to the omnibus volumes on my shelf (I can’t help it, must be even!), I’m really eager for the new Blood Alone volume as they come out.

UDON Entertainment has a full page promoting the first volume of their upcoming Captain Commando manga. It looks and sounds pretty hilarious, touted as “The Return of Gaming’s Greatest Hero!”. It stars a “fighting force” consisting of Ginzu the Ninja Commando, Mack the Mummy Commando, Baby Head the Baby Commando and their fearless leader, Captain Commando. UDON hasn’t updated their own website in a while with schedule info so places like Diamond and online retailers have been the only real source for release dates.

Next up comes the Viz Media section which is usually a hefty multi-page addition to Previews. This time is no exception but it’s sad to see that almost all the artwork used is really low quality. It looks all grainy and pixelated. This isn’t a norm from them so I can only assume something went wrong between Viz and Previews this month. They’ve got a full page for Pokemon Black & White (Vol.05) and Voltron Force, then two-per-page splits for Blue Excorcist (Vol.07), Bakuman (Vol.10), Bleach (Vol.39), Rosario+Vampire: Season II (Vol.08), Nura Rise of the Youkai Clan (Vol.08), 20th Century Boys (Vol.20), Tenjo Tenge (Vol.06) and X 3-in-1 (Vol.02). It’s nice seeing the Will Eisner stamp next to 20th Century Boys though I do wish Viz Media would mix quotes up a bit – it’s getting old seeing the same Junot Diaz quote in every book and ad. All their other titles due out in March are listed with cover images, info and mini synopsis’s on a single page at the end of the larger preview sections. So many books! You can see the complete list in this month’s Manga Previews PDF.

Vertical Inc has three books listed - Drops of God (Vol.03), GTO: 14 Days in Shonan (Vol.02) and Twin Spica (Vol.12). This volume of Twin Spica is the last of the series and clocks in at a whopping 400 pages! The eleventh volume out this month also has 400 pages and while I’ll be sad to see the series end, it looks like it’ll be an experience to savour with two extra large books seeing it out.

Yen Press is the last-up with eight new books scheduled for March – Soulless, Bamboo Blade (Vol.12), A Bride’s Story (Vol.03), Bunny Drop (Vol.05), The Melancholy of Haruhi Suzumiya-chan (Vol.05), Pandora Hearts (Vol.09), Spice and Wolf (Vol.06) and the newly begun, Is This A Zombie? (Vol.01). Is This A Zombie is listed as their Spotlight On title. Seeing the cover of Bunny Drop (Vol.05) with Rin now a teenager makes me fearful for that ending everyone is often complaining about. I’ve been assured it still sticks to its quality coming-of-age and family drama right up until the end though so I’ll be with it until the end! The synopsis for A Bride’s Story (Vol.03) also shows that the story will be shifting onto Mr. Smith for a while and his journeys away from the village we’ve be in so far.

Listed in the back of the Diamond Previews are the top selling titles from a variety of categories based on several months of sales tracking. This month they have the results for November 2011.

Top 10 Manga of November 2011:

1. Sailor Moon (Vol.02)
2. Codename Sailor V (Vo.02)
3. Negima! (Vol. 32)
4. Mega Manga Gigamiz (Vol.03)
5. MPD Psycho (Vol.10)
6. Claymore (Vol.19)
7. D. Gray Man (Vol.21)
8. Princess Knight (Vol.01)
9. Melancholy of Haruhi Suzumiya (Vol.10)
10. Fairy Tail (Vol.16)

Sailor Moon (Vol.02) also made spot 8/10 on the overall Top 10 Graphic Novels & Trade Paperbacks list. Nostalgic shoujo manga up there with the superheroes and zombies, and in the direct market as well. Great to see!

That’s it for the manga-content of Previews January 2012. If you’re interested in browsing through all the comics, anime, toys and games scheduled for March(-ish), I recommend going to your local comic store and picking up a copy. Until next month! Well… for a new Previews post anyway.

There are no shortage of ‘Best Of’ lists this time of year. While I like popping around to different peoples’ sites and seeing what they thought, it’s a bit of a frustration that I can’t seem to write one myself. How people choose a solid list containing five or ten favourites, from across different genres and subject matters, is just something I can’t seem to muster the brain power for. Not enough conviction I suppose? There’s just so much to love!

But I can’t overlook the perfect chance to look back at all the great titles a year had to offer and 2011 had some really fantastic ones. So then where is this going, oh rambling one, you ask? My semi-traditional equivalent to the yearly best of – the random Lissa’s favourites and best-ofs list! Which really just means you get a lot more titles broken into a lot more categories so I can remain a lot more loving to a lot more series. And in some cases not so loving… From the Best Release Quality to the Favourite Fan Service and even to the most Gag Worthy – here are a bunch of my favourite titles from 2011!

Best Release Quality

While we’re not getting the same amount of individual volumes of manga as years’ past, the quality of releases keeps getting better. This year I was really impressed with Yen Press‘s work on A Bride’s Story which was a hardcover book sporting a beautiful full-colour, matte finish cover slip. It compliments the work perfectly!

Another nice hardcover book was Wandering Son which was released by Fantagraphics. The book was also printed at a larger than normal size making for a book that’s a bit tricky to fit on the shelf but really enjoyable to read.

Viz Media‘s softcover omnibus of CLAMP’s X series was also a treat with lots of full-colour, glossy pages inside. The series is also released in its original visual format for the first time in English.

Best Boys’ Love

My boys’ love buying was a bit smaller than usual this year as much of Digital Manga’s attentions shifted to digital releases and I began running into a lot of supply issues trying to buy physical copies from them (a definite downer of 2011!). Of the titles I did read though, two really stood out. The number one was Only Serious About You (Vol.01) – a really charming story that felt like Future Lovers meets Bunny Drop. The art was nice and the story so sweet and romantic, even with things remaining mostly platonic in this introductory volume.

Another boys’ love title that I loved was Rabbit Man, Tiger Man. I couldn’t resist the visual contrast between the small, cute doctor and the tall, scary yakuza! The story itself was a lot funnier than I expected and I was entertained by every page. The English adaptation stood out to me as being really good too, I loved some of the word choices. I really hope the rest of the series gets licensed.

Favourite Fan Service

While neither are new series to this year, the continuing Black Butler (Yen Press) and XXXHolic (Del Rey) win again for best fan service (the kind that appeals to me)! The suedo-romantic(?) tension between it’s lead male characters and the gorgeous clothing design and dark inking make them immediate must owns, complete with the occasional squeals and swoons. XXXHolic has been a more consistent wow factor volume after volume so it’ll be bittersweet seeing it end early this new year.

Best Second Chances

Re-releases, omnibus and new editions have became a fairly regular occurrence and the chance to revisit something missed is great. This year I was pleasantly surprised by Seven Sea‘s Blood Alone (Vol.01), an omnibus edition of the original first three volumes. It’s a great vampire story that steers clear of most tropes and focuses more on a subtle but poignant relationship between a young girl and her protector.

One of my favourite series of 2011 was Full Metal Alchemist. Though it’s been coming out for a number of years, I’d only just started reading it thanks to borrowing a friends’ copies. Viz Media celebrated the last volume of the series coming out by releasing a box set of the entire thing – all twenty-seven volumes! It’s a fantastic value. I highly recommend it, while also suggesting you avoid the omnibus editions which only cover the first nine volumes then stop.

Digital Manga‘s continuing editions of Kizuna have been great as well. In 2011 we finally got to the point in the omnibus editions where the original English edition by BeBeautiful had stopped. New content! I love that we have a second chance to purchase it, and now the whole thing at that!

Best (Worst?) Good-Byes

While 2011 saw some great series start, it also saw some of my favourites come to an end. The biggest and saddest goodbye goes to Vertical Inc‘s edition of Osamu Tezuka’s Black Jack. This is one of my favourite manga series of all time and to finish reading the last volume was a sad experience indeed. It’s such a fun series and Black Jack himself is an amazing character. I’ve no doubt I’ll be re-reading it again and again.

Viz Media’s English edition of Full Metal Alchemist also came to an end. The pain of it ending was dampened by how I’d read the whole thing within a month leading up to it and because the ending was so, so good. I’m also thankful we got to read the entire story. I wish I could say the same for things such as Pet Shop of Horrors: Tokyo and Shinobi Life which we’ve had to say farewell to early because of Tokyopop’s shutdown. That wasn’t an easy goodbye in itself either – so unfortunate!

Top Can’t-Look-Away-Titles

Like watching a train-wreck and being unable to look away (as they say…?), sometimes there are those titles that are just dark, depressing and sort of scary. Bleak as they may be, the emotional rollar-coasting of reading them makes every page turn worth it. Vertical delivered two series that fit the description, both by Usamaru Furuya. Lychee Light Club is a one-shot with plenty of violence, sex and crazy, crazy people. I read it, loved it and honestly may never read it again. It’s just one of those kind of titles, you know? My signed copy sits proudly on the shelf.

Usamaru Furuya’s No Longer Human has been an experience as well. It’s more grim and dark than violent and shocking but I’m definitely in for the whole messy journey. I look forward to seeing how it finishes in 2012 with volume three what was started in 2011 with volumes one and two.

Getting to meet Usamaru Furuya and hear him interviewed at TCAF 2012 was also a big highlight of the year for me. Hopefully in 2012 I’ll be able to meet an idol with fewer than twenty minutes of self-psyching to work up the nerve to say hello – it could happen, right?

Most Long Awaited

Of all the English manga titles and trends started in 2011, I think it’ll be most known for bringing about two of the most long-awaited manga series of all time – Naoko Takeuchi’s Sailor Moon and Osamu Tezuka’s Princess Knight.

Kodansha Comics released the two volume prequel series, Sailor V, and the first two volumes of Sailor Moon – both are must haves for the magical-girl fans out there! Talk about a trip down nostalgia lane too. While Sailor Moon is one of the most well-known manga titles, Vertical Inc took the honour of releasing one of the very first. The company released both omnibus volumes of Princess Knight in 2011 so you can now buy the whole thing – prepare to enjoy!

As a big CLAMP fan, I was also thrilled to finally get the first volume of their new Gate 7 in my hands. With the title first announced years ago by Dark Horse, it’s been a much longer wait than any anticipated.

Hidden Gems of 2011

Two titles published by Digital Manga that I really enjoyed were Replica and Countdown 7 Days. Both are by Kemuri Karakara and are series it’s tricky to really nail down genre-wise. They’re very shonen in nature but more character-oriented with really nice artwork, less focus on stuff like fighting and ‘The power of friendship!’. Sort of like… D.Grayman, Arata the Legend, and Tsubasa: Reservoir Chronicles – to name a few that come to mind first.

I really enjoyed both the series so far – great art, fun characters and some interesting stories. I heard little mention of either from the manga blogosphere or social media outlets though but I hope a lot of readers still got to check them out. I’m sure a lot of readers out where would enjoy them. Volume one of each were released in 2011 and I’m eager for the follow-ups in 2012.

Must-Own One-Shots

I love a good one-shot! When done well they’re a really satisfying experience, having either a nice collection of short stories or one solid piece planned for a one-go read. They’re also the easiest thing to suggest to new readers – short but sweet, without the commitment of multi-volume series. Of the one-shots published in 2011, my favourites were Natsume Ono’s Tesoro (Viz Media) and Taniguchi Jiro ‘s A Zoo in Winter (Ponent Mon). I’ve read works by both the artist’s before but these easily became my favourites of each. Both are high quality releases and have stories full of sincerity and compelling human drama – I highly recommend both!

Top Tear-Jerkers

I don’t consider myself quick to tears but sometimes a volume of manga manages to get me there. Goes to show you should always be ready with a hanky or two because you never know what tears a story may bring. Ouran High School Host Club (Vol. 17) was such a fun, high-energy and very satisfying read that I found myself tearing up from joy. That was a new one for me. I enjoyed it so much, seeing how far the series and characters have come. You can bet the last volume, due out in June 2012, will be one hard to say good-bye to.

My feelings were similar reading the last volume of Genkaku Picasso, also released by Viz Media. Picasso’s growth and acceptance of his new friends and their support for him was so touching. I never thought it’d be a series that would move me that much but, by the end of volume three, I was definitely wiping at my eyes to be able to see the pages.

Lastly, when it came to just downright heart-breakingly sad, Stargazing Dog from NBM Publishing won hands down. What made me cry wasn’t even always the sad parts, sometimes it was those bittersweet moments that predate them. It was no surprise to me that a book about the love and loyalty of a pet dog would be an emotional trip though. It’s a great read but definitely have your tissues ready for this one.

Yay-For-More-Coming Titles

We saw series start and end in 2011 but many others were just trekking their way through with more to come. My top-wanted series (because goodness knows there’re dozens of ‘em) that began in years past and have continued through 2011 and onward to 2012 are Kamisama Kiss, Bunny Drop, 20th Century Boys, Pokemon Adventures and The Tyrant Falls in Love. Saying good-bye to a year comes with a lot of good-byes in general but at least there are none for these yet!

Alas-Only-One Titles

Some continuing titles however, made their way through 2011 with unfortunately minimal appearances. A number of my favourite series only had one volume released over the entire year. While the books were great, the long wait is always tough. I’ve got my fingers crossed for more of Kaze Hikaru, Yotsuba&!, Berserk and The Kurosagi Corpse Delivery Service in 2012.

Most Redeemed

Along with the series that I already loved going into 2011, I also went into the year with a few series I was on the fence about. With several volumes of each throughout the year though, I was made a believer! While they each had some rough starts – be it too predictable, too slow or just painfully sexist, 2011 was a redeeming year for Rumiko Takahashi’s Rin-Ne (Viz Media), Kou Yaginuma’s Twin Spica (Vertical) and Tsugumi Ohba/Takeshi Obata’s Bakuman (Viz Media). Now I’ll be spending 2012 eagerly awaiting every new volume of these three.

Top I’m-Not-Sure-Why Reads

Most people have these kinds of reads – the ones where you really like them but you’re not really sure why. I went into 2011 not able to pinpoint why I love Viz Media’s Toriko and Kodansha Comics’ Air Gear so much and a year later I’m still not sure why. Both had several volumes out in 2011 and still the answer eludes me. One thing I do know though is I love Toriko more for the story, less for the art, and with Air Gear it’s the opposite. I guess as long as I still love reading them, it’s okay that 2011 held tight to their secrets!

Could’ve-Done-Withouts

Enjoyable as many reads were this year, there were some that I could have done without. They weren’t bad, per say, but I was left feeling so underwhelmed upon finishing that I felt my time and money could have been much better spent elsewhere. Blood Blockade Battlefront (Dark Horse), Drifters (Dark Horse) and Drops of God (Vertical) were all series newly started in 2011. While I usually give a series two volumes to impress, I think I’ll leave any future copies of these ones on the shelves for other more interested readers. Not necessarily bad, just not for me.

Most Gag Worthy

Alas where there is good and meh, there is also just outright bad. Thankfully I didn’t read too many stinkers this year but yikes, did the bad ever stand out when they did show themselves. While I don’t often regret reading a book, I got to that point with Ai Ore! (Vol. 01). With some of the most hateable characters I’ve ever read in a manga title, and the end of this first volume nearly earned the title a chuck at the wall. Why, Viz Media? Why?! Digital Manga’s The Beautiful Skies of Houou High was pretty bad also, but erred on the side of just being painful to read and falling short of being rage-inducing.

… and that’s it folks! My thanks to all the manga publishers, local retailers, fellow manga supporters and of course manga creators for a great 2011!

Digital Manga announced a new title license for their print line earlier this week, just in time to head off for holiday vacation – Miki Araya’s Secretary’s Job. It’s a one-shot title by the creator of Digital Manga’s previously released I’ll Be Your Slave. There are no further details on the imprint or release date, but it’ll likely be under the June line based on Miki Araya’s previous title.

Secretary’s Job is about a “legendary secretary” who is assigned to the son of a company’s president. An office romance springs from a sudden kiss. Also included in the book is another short story titled ‘Fried Rice’. The book was originally published in Japan this past September.

Manga-ka: Ahiru Haruno
Publisher: June
Rating: Mature (18+)
Release Date: August 2011

Synopsis: “It was fierce love at first sight! When the adorable cub Mr. Wolf carries away to his cave turns out to be a wily tiger boy, little does the sly hunter know that he’ll soon become the submissive wife to his manipulative (but charming) captive! When Mr. Tiger calls the shots, Mr. Wolf can’t help but bend to his every whim. After all, who could possibly resist such a handsome, furry face?”

Lots of yaoi manga feature anthropomorphic animals and it’s easy to see the appeal: cute guys plus cute animals equals win/win. Mr. Tiger and Mr. Wolf doesn’t bring anything new to the table, but it at least delivers on both sides of the equation.

One of the manga’s strong points is how it doesn’t shy away from the animal side of the characters. The characters don’t even have names, they just go by ‘Mr. Tiger’ or ‘Mr. Wolf’ (or in the case of Tiger’s extended family, Brother Tiger, Father Tiger, etc.). Mr. Wolf is the leader of a wolf pack. One day he comes across a tabby cat and decides that the kitten will be his wife. He takes the cat home and teaches him how to live like a wolf. When Mr. Wolf returns from an extended hunting trip, he’s shocked to find that the little ‘tabby cat’ has grown up into a adult tiger. On top of that, Mr. Wolf also realizes that if anyone’s the ‘wife’ in this relationship, it’s him.

The manga uses the differences between wolves and tigers as a good source of conflict. Most of Mr. Wolf’s insecurities are born out of the difference between their two species: tigers aren’t usually monogamous, tigers live twice as long as wolves, etc. Mr. Wolf also starts to feel guilty for carrying off Tiger at such a young age and teaching him how to be a wolf rather than a tiger. If this were a manga featuring humans, the situation would be criminal and disgusting, but within the context of the animal world it’s not as creepy. The manga gets away with a lot because of how innocent the world and the characters are.

For the most part the book is light-hearted but near the end the manga-ka tries to amp up the stakes and make things serious. It’s a shift that just doesn’t work either tonally or plot wise. It’s a common problem in romantic-comedies in any medium and sometimes it works, but not often and not here. Still, it’s not such a severe shift in tone that it ruins the whole book.

Near the end we also get a chapter focusing on Brother Tiger and a hunting dog he meets in the woods. Their story is really cute and I would have liked to have seen more of them.

The art is cute and consistent. The manga-ka tries to include backgrounds, but I still would have liked more and in more detail. Also, I wish she had drawn the characters in animal form more often as she draws animals really well.

Mr. Tiger and Mr. Wolf is a sweet if silly little manga. It’s a nice read if you want something a little bit harder than shounen-ai but still light and fluffy.

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Digital copy provided by Digital Manga for review purposes

Following up on recent news of Digital Manga licensing Starry☆Sky, the company’s website has now been updated to show the series is being released under their Digital Manga Publishing line. Originally the site’s listing had the title being published in their boys’ love imprint, June.

Starry☆Sky now joins Digital Manga’s other series such as Itazura na Kiss and The Beautiful Skies of Houou High, which seem much more suiting company to this series about a girl pined after by a group of attractive young men in private school. The book’s cover image has also been replaced with a new look sporting the recent DMPBooks cover design instead of the ‘Yaoi Manga’ sidebar it was posted with previously.

Fans of the series were confused over what seemed like Digital Manga’s original decision to release the title as a boys’ love series. Whether a mistake or a change of heart, this switch-up looks like a much better fit and should appease Starry☆Sky‘s fans and those who like having faith they’ll get boys’ love in their BL.

It’s Wednesday! And the fifth Wednesday in the month too, that’s an extra week of new comics. You can see the list of new manga out over at my On The Shelf article for Otaku USA.

The big titles out today are the long-awaited new volume of MPD Psycho from Dark Horse, and the seventeenth and final volume of Osamu Tezuka’s Black Jack from Vertical Inc. I may very well cry when I finish that one – it’s never easy when one of your favourites comes to an end!

Digital Manga’s newsletter came out yesterday, re-confirming their license of My Cute Crossdresser and listing another title, Starry☆Sky. The first volume of the series is due out in April 2012.

Starry☆Sky is a manga series based on a visual novel game of the same name published in Japan. It’s one of several manga adaptations of the story which follows a girl entering a private school that was until recently an all boys’ school. Over time she makes friends with a group of boys who’re based on the Western zodiac and romance ensues.

Starry☆Sky seems like an odd choice for releasing as a June book, similar to what I thought when I first saw My Cute Crossdresser licensed for Project-H. My confusion wasn’t helped by the genre listing of ‘shonen’ on Digital Manga’s website. This manga series was originally released in a magazine, Comic B’s-Log Kyun, that publishes shoujo series. Some of them look to have some BL-implication – such as a version of Togainu no Chi – but none implicitly boys’ love in nature. With that in mind, plus that it’s based on a shoujo girl-is-surrounded-by-a-harem-of-young-men-who-could-love-her game, is Starry☆Sky being published under their June line for actual BL content or just having a high pretty boy count?

Update (11/12/2011): Digital Manga has switched Starry☆Sky‘s imprint to DMP.

Digital Manga added some new books to their website this week. Among them was a new one-shot book they’ve named My Cute Crossdresser. It’s a hentai title being released under their Project-H imprint. The book is scheduled for release in April 2012 at $17.95/US and 19.99/CAN.

My Cute Crossdresser is a collection of four one-shot stories plus one longer story that lasts three chapters. As the name and cover suggests, the book contains some cute teenage boys dressing in cute little school uniforms, among other things. It’s a trap! Just the kind you’ve been warned about in advance.

I was surprised at first to see this kind of hentai title released under Project-H with the previous three books having the more ‘typical’ hentai look to them. You know, girls and boobs. I’m certainly not denying the diversity in the hentai genre (porn for everybody!) but didn’t expect to see a cross dressing story like this out in English. Then again with Digital Manga’s Doki Doki “the gateway between shojo to yaoi”, this new license seems like it could be an entertaining gateway between their hentai and yaoi imprints. As a buyer of both genres, you can bet I’ll be ordering it!

You can get a bit more info about My Cute Crossdresser and view interior preview pages at its Amazon.jp purchase page. The English edition isn’t yet available to pre-order. My thanks to J.R. Brown for finding the Amazon Japan listing.