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Licensing | Press Releases | Release Lists

Trigun Badlands Rumble In Canadian Theatres on June 22nd

Trigun Badlands Rumble In Canadian Theatres

Prepare to get nostalgic or witness why so many people are proud to have the story of a gun-toting pacifist as one of their first anime – Trigun: Badlands Rumble is officially coming to theatres across Canada!

“Vash the Stampede is a gunslinging, red-trenchcoat-wearing drifter with a giant bounty on his head. His biggest threat, however, may not be law enforcement, but an outlaw by the name of Gasback. Twenty years ago, Vash accidentally interefered with one of Gasback’s robberies, and now the villain’s back with a score to settle. Gasback has come to Macca City in hopes of stealing one of their major installations, and Vash has just coincidentally arrived at the same spot. Also involved in this caper are a beautiful lady with a grudge, a couple of insurance agents, and Vash’s old buddy Wolfwood. At first it seems that Gasback has succeeded, but one can never underestimate Vash’s legendary abilities—not to mention the secrets that his allies have up their sleeves.” – Cineplex

The movie will be a special one night only event on June 22nd at 7pm, local time.

Empire Theatres has confirmed with Animaritime organizers that the movie will have Japanese audio with English subtitles. Tickets through Empire Theatres will go on sale on their website tomorrow and tickets are currently available to purchase on Cineplex’s website.

You can see the full list of Canadian theatres below:

Read more…


DelRey Confirms Cancellation of CLAMP in America

CLAMP in America Cancelled

A post over on the CLAMP_now community forums has confirmed what has long since begun to feel like the inevitable: CLAMP in America is officially cancelled.

“The title ‘Clamp in America’ has been cancelled. There is no tentative release date scheduled for this title at this time. The only pending volumes currently scheduled for release from Clamp are XXXHolic 17 in September of this year and XXXHolic 18 in December of this year.”

After initially being announced at San Diego Comic Con 2008, CLAMP in America was an informational and fandom oriented book about the manga group CLAMP and their history, influence and popularity in North America. It was (or would’ve been) written by Shaeon Garrity with interviews and input from fans, comic creators and CLAMP themselves. The book had been delayed every couple of months since then with no word from DelRey saying anything otherwise, until now.

This comes as a pretty big disappointment as I’d really been looking forward to it, both as a huge CLAMP fan and someone who enjoys Shaneon Garrity’s writing. That said, I’m not really surprised, especially since DelRey’s manga licenses recently shifted over to Kodansha Comics (with only XXXHolic currently remaining in their hands until it ends) and Dark Horse being the current CLAMP powerhouse with their omnibus editions. It’d be wonderful, however unlikely, if we could see the book shift over to Dark Horse; it’d be a great compliment to their CLAMP library.

Unfortunate and not the news we’d been waiting to hear but at least we’ve now heard something.


Vertical Inc. Licenses GTO Precursor and Sequel Series

Vertical Inc. announced officially on the ANNCast today that they’ve licensed both the precursor and sequel series of Great Teacher OnizukaShonan Junai-gumi and GTO: Shonan 14 Days.

Shonan Junai-Gumi was the artist Tohru Fujisawa’s series prior to GTO. The story is about two society-feared motorcycle gang members and their journey to mend their ways in hopes of impressing the ladies. Weird friends, weirder situations and scenarios ranging from comedic to dark make up this series starring Ryuji Danma and Eikichi Onizuka, the second of whom will eventually be the star of Great Teacher Onizuka. Shonan 14 Days is then, in turn, a sequel series to GTO.

GTO (Vol. 01)Tokyopop originally held the license for Shonan Junai-gumi and they published ten of the fifteen volumes. The complete series was originally thirty-one volumes long before being released in the deluxe omnibus editions. Tokyopop released the GTO series in 2001 and released the entire story, twenty five volumes in total. Though out of print, you can still find volumes of GTO on many online retail sites and in some bookstores. Shonan 14 Days is currently on-going in Japan with six volumes so far.

On the ANNCast, Vertical’s marketing director Ed Chavez noted they’d be releasing the Vertical editions starting in January 2012 and on a bi-monthly schedule. Shonan 14 Days will be released in the odd months (January, March, etc.) and Shonan Junai-gumi being released in even months (February, April, etc.). That’s a lot of GTO very quickly! Edit: Vertical’s release of Early Days will continue where Tokyopop left off, which means their first release will be volume eleven.

An important thing to note about this license is that it’s not a ‘license rescue’ from the recently shutdown Tokyopop. Ed Chavez says the company has been working on these licenses long before Tokyopop’s announcement of shutting down. Tokyopop lost the license to GTO alongside the rest of their Kodansha titles back in August 2009, years prior to the company closing the doors on its publishing division.

So what do you think of this license news? Do you think it fits in Vertical’s repertoire of titles? Are you excited for the high-speed release schedule? And what of the ever-popular GTO series itself (which Ed notes they may consider releasing if these sell well), any big fans out there who can recommend the title to newcomers?


Publisher Websites Come, Go and Update

KodanshaComics.com

Some website news today and I don’t mean regarding Kuriousity (though a reminder you can get to the site from the more easily remembered kuriousity.ca!).

First up is Kodansha Comics which after months of using their website KodanshaComics.com to list their press releases, has uploaded their actual website It’s simple and neatly laid out, which is great to see on a publisher site. Very easily navigated so yay for that! You can see covers for several of their upcoming books on the Release Dates page. The search and title info is unfortunately just linked to Random House’s page instead of housing its own internal sources but at least it’s something. A note that if you’re not using a screen resolution higher than 1200pixels wide, I’d recommend zooming out to 83% viewing. It’s a fixed width site that doesn’t seem designed to support smaller screens.

Elsewhere Dark Horse has made some huge changes to their website and I must say it looks and works great! It has a sharp new look, a retooled search function and an easy to use Browse function that allows you to call up any or all of their books in a specified period of time and ordered in a variety of ways. Each individual page even has a link to Comic Book finder so you can find a location nearest to you to purchase the goods. This site update comes just in time for their upcoming Digital Store launch which will include manga-epic Lone Wolf and Cub. My kudos to the design and programming team – the new site is fantastic!

On a less positive note, Tokyopop (which recently announced its shutdown of the company’s publishing division) is gearing up for a complete tear down of its website. With a community heavy in participation including blog posts, forums and media uploads, they’ve sent out a few e-mails to remind folks to save what they want now because as of “early next week” it’s all going to be gone.

“As we’ve previously stated in our newsletter, TOKYOPOP.com will go offline early next week. We know that you probably have kept copies of everything you’ve uploaded (photos, videos, drawings etc.), but we just want to be extra-sure and give you this last reminder so that you can pull anything down from TOKYOPOP.com that you still need. The last chance to pull your uploads is THIS WEEKEND! After this weekend, you will not have access to material on TOKYOPOP.com. If you’re concerned about losing any data, please act right away! Don’t forget to tell your friends about this too, if you think that they’re unaware of this.”

And as a bit of weird final note – the old URL for now defunct manga publisher GoComi! has been resurrected and now has the bare basics of a WordPress installation. There’s a teeny tiny bit of info regarding GoComi and a couple of their titles but I wouldn’t see this as any sign of a return. Most likely it’s a more creative than usual domain park seeing as how it uses old cached information and images from Amazon (plus a bunch of ads to take advantage of visitors who might be curious enough to click on the Google Ads). Still a little weird though, hmm? [Thanks go to Ryu Sheng for noticing this one]


CLAMP’s Gate 7 Manga Coming From Dark Horse in 2011

CLAMP's Gate 7

The CLAMP fan-community, clamp_now, has translated new information from the manga team’s website about the international release schedule for their new series, Gate 7.

Gate 7 has already been serialized for a few issues in Japan and France, with tankouban (graphic novel length) editions set to come out in a number of countries around the world, including in North America from Dark Horse. The release date for this edition is summer 2011 – not too far away!

Originally Dark Horse comics had said that they’d be simultaneously releasing Gate 7 in small single-issue format. That was a few years ago and there’s been little news from Dark Horse since about it – granted they haven’t let up on the CLAMP releases with a bunch of omnibus editions of the group’s titles. While it seems safe to say we’re not going to get the serialized edition as originally thought, it’s still nice to see the series itself remains on the agenda one way or another.

I’m really excited to have this book in hand. I’m a huge CLAMP fan and must own everything they’ve done, for one, and the art looks gorgeous. Though Dark Horse has yet to comment on this news, hearing it come directly from CLAMP seems like a pretty good sign. Fingers crossed!


Farewell Tokyopop – Publishing Division to Close End of May

No question the big news of this week (and likely of the year) is that Tokyopop’s CEO Stu Levy announced that as of May 31st, the company would be closing down shop in the publishing industry.

This comes as a huge blow to many manga readers. While the company may not be releasing as much now as they have in the past, they’ve still got numerous series on the go that’re now in limbo including several recently premiered (such as Clean Freak, Little Butterfly and Lady Konoko). Most poignant though is the rattling of faith seeing that what was likely the biggest and most-influential English manga publisher go down. Love them or hate them, this is the end of an era.

There hasn’t been a lot of details regarding the shutdown for things such as the fate of licenses and any potentially returning story rights to OEL artists. More information on things such as liquidation of any remaining stock will likely come in the near future. The Yaoi Review has confirmed with Tokyopop that their boys’ love imprint BLU will also be shutdown, and the Tokyopop German division seems to be going strong still.

If you’re looking for more information and reactions about the news, I recommend Katherine Dacey’s round up over at Manga Critic.

I could go on for pages upon pages about my thoughts on Tokyopop and what they mean to me as a company. I’m not going to now though (at least not yet) but I will say this: I’ll miss them terribly. I love Tokyopop. Yes they’ve made mistakes (that website, gah!), but at the end of the day I own hundreds (if not thousands) of Tokyopop books for a reason. I’m really sad that several series I’m collecting may never see completion now such as Pet Shop of Horrors and Shinobi Life, but I also know I’m one of few people saying the same so whose to say they even could’ve been finished regardless of TP shutting down. But they gave the titles the longest run they could (Genju no Seiza for pete’s sake!), they released tons of series with a little for everyone and they were there with something new and shiny every time I went to the comic or book store over the past decade.

Tokyopop was manga for me and will always be a big part of manga for me now, from the piles of books surrounding my room to the many Tokyopop books I’m bound to buy even in the years to come. Goodbye Tokyopop – it really was a good ride and even though you’ve chosen to stop it, I’m not quite ready to get off yet.


Seven Seas Adds Vampire Manhwa for October Release

My Boyfriend's A Vampire

Seven Seas announced a new license late March (yes, I’m quite late on this among many other neat bits of news!) as the company continues to deliver to the vampire-fandom out there with My Boyfriend Is A Vampire. It’s also their first license of a manhwa title (Korean comic).

“Being beautiful is never easy, especially if you’re an eighteen year old boy like Ryu who is constantly mistaken for a girl because of his delicate good looks. When Ryu stumbles upon strange happenings in the forest, he gets sucked into a world of vampire intrigue and sinister romance that he never knew existed. And he learns that there are worse things than being turned into a vampire: being turned into a girl?!”

The books are being released in 2-in-1 formats which works well considering the series is 14 volumes long according to AnimeNewsNetwork. The first volume is due out this coming October.

So a gender-bender vampire manhwa – it’s got my attention! Out of curiousity it’s on my list of must-reads for Halloween this year.


Kodansha Comics Adds Mew Mew Power and More to Fall Lineup

Tokyo Mew Mew

Kodansha Comics isn’t slowing down after their huge news in March with a handful of new titles announced for their fall line-up later this year.

Tokyo Mew Mew
Love Hina
(Omnibus Collection)
Shugo Chara! Chan
@Full Moon

Tokyo Mew Mew and Love Hina were previously released by Tokyopop but will sport new translations for these editions. Shugo Chara! Chan is a sequel to the series Shugo Chara! which was published by Del Rey. Lastly @Full Moon is a sequel series to Kodansha’s previously announced Full Moon series (which in itself was a license rescue from the long-since defunct Brocolli Books). When so many manga readers are left wondering if they’ll even see the next volume of their favourite series, it’s promising seeing a company already license a series and its follow-up in one go.

While Love Hina seems like a no-brainer as a big otaku favourite that’s been long out of print, I’m a little surprised by Tokyo Mew Mew. It was cute but I didn’t think had enough following to warrant a completely new release. Then again it might be a good warm-up to their upcoming Sailor Moon release to bring in a whole new generation of readers to magical girls (plus the anime version played on television here as well). I like the addition of the Full Moon series though because, though not explicity boys’ love, it still teeters in that territory more than well enough to show Kodansha’s not afraid to test the waters of the genre.

With the slew of titles, including the much-requested Sailor Moon, Kodansha continues to go above and beyond what I think many expected after their lacklustre introduction to the North American market. My concern now though is how they’ll deliver. We’ve many reasons to believe it’ll be good – from their manga-ruler status in Japan, to the talented staff we know to be working for them already – but until we get a pure Kodansha-made book in our hands, it’s hard to jump for complete joy just yet. Some giddy jigs for sure though.

Their first new titles are coming out in May – Arisa (Vol. 02), Rave Master (Omnibus) and Ninja Girls (Vol. 05). All three of which are continuations of Del Rey or Tokyopop series so we may not see much different in the form or design of the books. While the titles themselves don’t excite me too much, I’m most eager for Phoenix Wright and Monster Hunter Orage to see the trim-size and design work.

Hopefully we’ll see the start of their new titles marked with a full website as well, or at least something with more images and information than the press releases posted there now. Kodansha Comics appeared with a lot of anticipation, and while it may’ve lost the luster after Akira and Ghost in the Shell, it’s done a great job gaining it all back in the past few months. Now that we’ve got the promises, it’s all about the delivery – only another month to go!


TCAF Offers Up Manga Madness of the Best Kind

TCAF

With my tickets purchased and my lodging confirmed, this seems like the perfect time to direct everyone’s attention to this year’s Toronto Comic Arts Festival. It’s an annual free-to-attend event featuring hundreds of comic-related creators and exhibitors.

Exciting for manga fans is two big-name guests that’ll be flying into the city for this year’s event – Natsume Ono (manga-ka of Risortante Paradiso and House of Five Leaves) and Usamaru Furuya (manga-ka of Genkaku Picasso and Lychee Light Club). Both artists are a great fit amidst the comic artists who attend TCAF which consists primarily of more indie-style comics and those who self-publish.

I’ve heard great things about the event so I’m really excited to attend. The amount of artists attending is almost staggering including personal favourites such as Kate Beaton, Faith Erin Hicks, Svetlana Chmakova, Raina Telgemeier and Katie Shanahan. You can see the complete list of exhibitors and publishers present on TCAF’s website.

The event will take place at the Toronto Public Library on Saturday May 7th and Sunday May 8th.

Along with TCAF I’ll be perusing the streets of Toronto visiting the local comic stores, eating what will likely be too much food and generally enjoying a nice Spring vacation! If you’re going, let me know – it’s always great to meet up with folks.


Kodansha Comics Announces Release of Sailor Moon Manga

Kodansha Comics Announces Release of Sailor Moon Manga

Many fans wished on a star and Kodansha Comics gave us the moon – yesterday it was announced that Kodansha would be re-releasing the Sailor Moon manga in English starting this upcoming September. They’ll also be releasing the never-before-released-in-English short series, Codename: Sailor V which was a precursor in both events and creation to Sailor Moon.

Suffice to say, many fans are excited (myself undoubtedly included) and the news spread quickly to the eyes and ears of lots of happy manga-reading folks. There’s something sort of surreal about getting exactly what you asked for isn’t there?

The edition Kodansha will be releasing is the new deluxe collection that was last published in Japan as part of Sailor Moon’s anniversary celebration.

“The original 18 volumes have been condensed into 12 volumes covering the main storyline, and two volumes dedicated to short stories. Each volume has gorgeous new cover art, retouched interior art and dialogue along with extensive bonus material from Takeuchi, and detailed translation notes.”

Pretty Guardian Sailor Moon (Vol. 06)During my trip to New York last year I had the extreme joy of visiting the Kinokuniya bookstore. Surrounded by thousands of untranslated volumes of manga, Sailor Moon was high on my list of must-finds. They only had one volume but I was quick to pick it up – the re-released edition of Pretty Guardian Sailor Moon (Vol. 06). I hope Kodansha Comics’ release is kept very similar to the Japanese editions because it’s gorgeous! The trim size is a little smaller than the ‘standard’ North American manga release with a smooth-finished cover-slip adorned in brand new artwork for the new editions. Inside are three full-spread, full-colour illustrations before starting into the retouched manga chapters. The page-count is a bit higher than normal also, showing how the new editions are twelve books instead of the original eighteen.

Kodansha will begin releasing the series in September 2011 and the books will come out on a bi-monthly schedule. Kodansha Comics has yet to release anything past their republishing of Dark Horse’s editions of Akira and Ghost in the Shell but it goes without saying there’s a lot of anticipation for the first of their summer line-up to start in May so we can get a better look at the quality we can expect from them. I speculated before that with their books we’ve seen so far, it seems likely they won’t be straying far from the original material in terms of design. Holding onto my Japanese edition of Sailor Moon, I can only go from speculating to hoping that that’s the case.

But as we sit and wait for those first volumes to land in store-shelves, may I say THANK YO U, KODANSHA! You have made many a moon-fan’s day.


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