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Archive for the Editorials Category

Square Enix’s Manga Store – Digital Manga Not Quite There Yet

This past week Square Enix officially opened it’s online manga store. You can check out their press release for all the nitty-gritty details and of course visit their website yourself to have a surf around. In short, the company is offering volumes of the manga they hold the rights to through their site for a set price. The volumes, once purchased, are available to be read via a browser based reader on their site, a very similar set-up to Digital Manga’s eManga website.

Square Enix’s site has been in the works for a while and it offers up unique possibilities for North American manga readers with its selection of manga from different publishers, currently Viz Media and Yen Press. Unfortunately it’s launch has left some readers cold and I can’t help but look at it as an embodiment of many elements I think are what have been holding digital manga back. This isn’t meant to be anything against Square Enix specifically but browsing through their site got my brain going on the concept itself. It’s got some good things going for it but has some big scare-away first impressions for consumers.

For many in the same boat as I, the “can only be purchased by U.S. residents” is the big kicker and end-all right there but I’ll go forward looking at this as a more broad look at digital manga. WhileI share my thoughts under the cut, I’m interested in knowing what our readers here think of digital manga – yay or nay, why and how? What are you looking for in the format, price and content of digital manga?

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Viewing Things Digitally – Some Thoughts on Manga Online

Written by: Shannon Fay

Reading manga online isn’t for everyone. Looking at any screen for hours can make your head hurt and your eyeballs fell like they’ve been dipped in bleach. Luckily, I was designed in a lab specifically to avoid those symptoms. I love reading manga online. I love that I control the vertical and the horizontal, that I can sharpen a single image to crystal clarity. I love that no trees were killed in order for me to enjoy a particular volume. I love that I can read the many works of Makoto Tateno and not worry about where in my tiny house I’ll fit them.

But while I like reading manga on my computer screen, that doesn’t mean I give every manga company that posts their wares online a pass. In fact, because I enjoy it so much, I want to see it done right. For the most part there’s not a big difference between publishers’ online manga viewers. It’s a pretty basic concept: it’s manga, and it’s online. This article is to point out the tiny details that differentiate them, the little things that either makes reading manga online a pleasure or a pain.

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Scanlation Sentiments: My Answers to Your Statements

The recent press release regarding the manga coalition, which saw a slew of companies finally banding together to battle the evil that is manga aggregator sites, was met with the excepted amount of drama, assumption and protest. While the number of fans cheering the decision and understanding the positive implications of it came out in healthy force, the nay-sayers remained as always the prevalently loudest.

With the resulting week or so of virtual fandom butt-hurt across various forums and sites, I was finally compelled to finish my rough manifesto of why so many of those arguments are completely nutso. Some are sympathizable, many are wildly shared and all have been corrected a hundred times long before I decided to step into the ring of legality and logic. But, to try and take the edge off that voice in my head that constantly screams ‘do they even know what the heck they’re talking about?!’, I’ve conglomerated my brain-responses to hundreds of people’s emotionally-charged internet responses into one post of fairly-frank, honest and thus likely offensive-to-those-who-take-it-all-as-personally responses to those statements you never meant to be taken as a question.

And here we go…
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Manga Publishers Combine To Form Scan-Fighting Manga Coalition

News travels fast in the manga-world and this is definitely news worth spreading – a press release circulated by Viz Media today outlines the creation of a publisher coalition teaming up to target illegal distribution of their work.

“Working together, the membership of the coalition will actively seek legal remedies to this intellectual property theft against those sites that fail to voluntarily cease their illegal appropriation of this material.”

Along with a list of Japanese license-holders, North American manga publishers Viz Media, Yen Press, Vertical and Tokyopop are also all on the list showing a crackdown on piracy that many had hoped (and some expected) was coming.

So what does this mean for the manga scanlation world? In some ways a lot, and in others probably not so much. While the specifics of this coalition isn’t addressed in much detail in the press release, it seems safe to say that Viz, Yen Press and Tokyopop aren’t likely to call out the big guns over things like individual scanlation groups unless they’re outright violating licenses they hold. The large aggregator sites that make money off of posting full series (many of which fully available in English) on the other hand, are something that’s been a huge eyesore in the entire industry and medium for ages, offending companies, fans and scanlators alike as they dropkick any percieved notion of nobility square in the proverbial balls.

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Ballad of a Publisher – A Farewell and Long-Due Hello to CMX

CMX - A Farewell and Long-Due Hello

I recently shared my brief take on the recent manga company news in a post I titled ‘A Little Less Spring in Manga’s Step This Season’. Well, news sadly hasn’t gotten any better since then and that step has officially landed in a pile of shit (excuse the language). To no surprise, the situation stinks.

Via a brief and to-the-point announcement, DC Comics announced that as of July 2010, CMX Manga would no longer be publishing any new titles. The fate of its currently running series remains up in the air and no real reason was given short of the familiar catch-all answer of economic issue.

“Over the course of the last six years, CMX has brought a diverse list of titles to America and we value the books and creators that we helped introduce to a new audience. Given the challenges that manga is facing in the American marketplace, we have decided that CMX will cease publishing new titles as of July 1, 2010. “ (via AnimeNewsNetwork)

This comes as a shocker for sure, and as naturally distressing news not only as a loss of the series they possessed, but as a depressing loss of jobs for many and another rattle of the industry-stability cage.

But should this have surprised us as much as it did? Were there signs this was coming? It got me doing a lot of thinking about where CMX stood in my own life as a manga consumer. Has it really only been six years?

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Content or Packaging – Yen Plus Goes Digital

Yen Plus

Last week Yen Press announced on their website the future of their monthly manga anthology , Yen Plus – their upcoming July 2010 release will be the last issue that Yen Plus sees in print. The magazine, which has seen serialized chapters of some of Yen Press’s most popular titles including Soul Eater and Maximum Ride, has been in print for two years.

Yen Press does plan to continue the magazine online however, the details of which still pending. It’s too little surprise, however, that this comes at the displeasure of many readers of the magazine.

Looking at the upsides of this decision, the magazine going digital allows it to be available to a broader audience many of whom may not have been able to receive it in print. It also makes getting the magazine both on-time and simultaneously with other readers a controllable possibility. There’s also the possibility, one could hope, that this will allow some new content that they weren’t able to include when also dealing with the costs of printing.

But the question many have been wondering – will these now-magazine readers pay for this future-online edition? The overwhelming response from fans after even the quickest look at forums, blogs and even Yen Press’s own website seems to be no. (Read more for whats, whys and what-ifs under the cut)

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Omnibus: The New Manga Frontier?

Omnibus - The New Manga Frontier

Omnibus releases are not a new thing to the manga world but with recent changes in the economy and buyer habits, they’re becoming more and common. In fact in the past year alone it’s become evident that more than a few publishers are turning more and more of their attention to the omnibus format.

With tactics changing, buyers shifting and bookstore shelves reorganizing, are the omnibus editions we’re seeing now just the beginning of a new era of manga publication – could they be the future of manga in print?

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White Always Right?

Avatar: The Last Airbender

Originally written sometime last week, this post suffers from forgot-about-it-itis:

It’s no exageration that I’m a huge fan of Nickelodeon’s recently finished animated series, Avatar: The Last Airbender. As one of the most original and well-animated shows to play on television in my memory, I’ll forever be impressed and amazed by the creative team behind it and their visual and story-telling prowess that brought the unique series to life. You can see some screenshots of the multiple characters and gorgeous background paintings thanks to a “visual essay” of the series here.

That said, casting news of its upcoming live-action movie has created more than a little stir, a ripple of disbelief, that reaches far beyond its loyal fanbase.  This of course comes from the fact that the entire cast of this live-action movie are caucasian. As a series starring pre-dominantly Asian characters in beautifully rendered Asian locales, this doesn’t only seem completely inaccurate but also unneccessary. Is it to say there aren’t any talented ethnic actors and actresses out there? Because goodness knows that isn’t true.

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A Farewell and Reflection of 2008

Goodbye 2008!

With only a day until 2008 is officially behind us, it’s no wonder people are taking the time to look back at the year with reflection. It’s been an incrediable journey for me and my website this year and even more so for the manga industry and its loyal fans. I couldn’t help but sit down and write some of my thoughts of the year. Truely they only scratch the surface of a long but satisfying year and I hope that others have reason to remember the year as fondly as I have :)

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The Future of Girls’ Comics

 

… as spoken about by Rivkah, creator of Steady Beat. Yesterday she posted a pleasantly long and detailed, informed and interesting write-up in light of the recent shutdown of DC’s comic line-up, Minx. She not only shares some inner workings of the graphic novel industry as she’s witnessed it, but offers insightful ideas and thoughts of the future of the industry and what both creators and publishers should do to see it flourish more successfully.


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