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Licensing | Press Releases | Release Lists

Evangelion 2.0 To Play In Canadian Theatres January 20th

Evangelion 2.0 in Canada

Last week listings for Evangelion 2.0 popped up on Cineplex (src: ANN), one of Canada’s theatre chains. Eager to see how many anime fans across the country would get another shot at seeing Evangelion on the big-screen, I made some inquiries and did some internet spelunking and loe and behold, it looks like a decent-sized release!

The movie will be screened on the big-screen across Canada on Thursday, January 20th at 7pm (local time). Seating is limited and as tickets for the majority of the showings below are currently on sale, it’s recommended you nab your tickets while they’re available.

“The story of a 14-year-old boy, who has been entrusted with the heavy burden of mankind’s fate, is about to enter uncharted territory. Asuka, the heroine whose popularity is on par with that of Rei Ayanami, enters the fray piloting Evangelion Unit Two. Joining them is a new, alluring heroine. The war between the mysterious entities known as “Angels” and the Eva Series heats up even more with the introduction of new Evangelion units. Intense battles the likes of which have never been seen rage across the screen one after another. The excitement of these mind-blowing spectacles will take the story in a new direction.” – Cineplex.com

Below are the currently confirmed locations that will be playing Evangelion 2.0 across Canada. Note that this locations are subject to change and there may yet be more:

SilverCity Coquitlam Cinemas
170 Schoolhouse Street
Vancouver, BC

SilverCity Riverport Cinemas
14211 Entertainment Way
Vancouver, BC

SilverCity Riverport Cinemas
14211 Entertainment Way
Edmonton, AB

Galaxy Cinemas Regina
420 McCarthy Boulevard North, Unit 26
Regina, SK

SilverCity Polo Park Cinemas
817 ST. James Street
Winnipeg, MB

Scotiabank Theatre Toronto
259 Richmond Street West
Toronto, ON

Cineplex Odeon Queensway Cinemas
1025 The Queensway
Etobicoke, ON

SilverCity Fairview Mall Cinemas
1800 Sheppard Avenue East, Unit Y007
Toronto, ON

SilverCity Richmond Hill Cinemas
8725 Yonge Street
Richmond Hill, ON

Cineplex Odeon First Markham Place Cinemas
Highway, 7 & Fairburn Drive
Markham, ON

Cinéma Banque Scotia Montréal
977 Ste-Catherine West
Montreal, QC

Empire 17 Bayers Lake
190 Chain Lake Drive
Halifax, NS

Empire 8 Trinity Drive
127 Trinity Drive
Moncton, NB

Tickets for select showings are currently on sale at Cineplex.com and EmpireTheatres.com.

The first Evangelion film in this new incarnation, Evangelion 1.0: You Are Not Alone, previously played across Canada on September 30th and October 3rd, 2009.

As someone who attended the first movie and not only thought it was fantastic (and completely worth seeing on the big screen) but also had lots of fun with the community-driven spirit of the event, I will definitely be in attendance at my city’s showing (Halifax, NS!). We live in an age of the internet but nothing beats the feeling of your local community coming together to enjoy something together, plus it supports anime in your local theatres. Can’t wait!


Kodansha Comics Announces Titles At Launch Event

Kodansha Comics had it’s official launch event today, officially marking their entry into the North American manga publishing market. The event was held in New York at the Kinokuniya’s bookstore, and while I then couldn’t be there myself, my thanks to Anime Almanac’s Scott for tweeting the news as it was announced.

Since news of this event was announced a few days ago, social media outlets such as Facebook, Twitter and forums have been a buzz with a mixture speculation and ultimatums. Will they actually have any new licenses to announce? Will they finally reveal their plans for the library of mid-series licenses from DelRey that they hold? Will they actually put live an actual website? Patience has already run very thin for many manga readers as a company directly backed by one of the biggest names in the industry has sat silent for so long, with it the potential promise of many beloved titles held just beyond reach.

So what was said today? Quite a bit actually! From word on the majority of DelRey’s titles and a few new titles as well, Kodansha Comics plans the first big bulk of its manga out in Summer 2011.

Read more…


Win a Trip to Japan with ANN and PTJ, Win eCash with Netcomics

Time for some winnings! A few interesting contests going on right now that are worth a gander and an enter.

Firstly, AnimeNewsNetwork has teamed with Aniplex (from whom they’ve licensed their two simulcasting series) and Pop Travel Japan (the tour-company of Digital Manga) to offer a contest where the winner gets a fully-paid trip to Japan!

There are two trip packages to be won – Tokyo Anime Fair Tour: an Otaku-centric tour of Japan including a trip to the Tokyo Anime Fair and Akihabara; and Fangirl Paradise Tour: a more boys’ love fan-central tour that includes the infamous Otome Road and a visit to an “authentic butler cafe”.

Entrants for the Fangirl Paradise Tour are required to take pictures of themselves in togainu no chi cosplay, with one of the two images having a sign proclaiming ‘ANN Please Send Me To Japan!’. For the Tokyo Anime Fair Tour contest, participants are to draw some Oreimo fanart and submit for the judges to see (with the ANN logo included somewhere in the picture all not-sneaky-like).

The winning packages include airfare, hotel accommodations, transportation while there, tour guides and customized guidebooks. Us Canadians (alas  excluding myself) are able to enter the contest as well, though in place of airfare, there will be $500 given towards booking your own flight to Japan. Full guidelines and rules of course available over on the website.

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On their Twitter account, NetComics announced a fun little contest with the winner receiving $100 in e-Cash to go towards reading manga and manhwa on their website. With chapters for $.025, that’s a lot of reading!

1) Choose your favorite series.
2) Identify a scene/panel to recreate.
3) Do yer thang: bubbles, illustrations, etc.–the whole nine yards.
4) Q yourself whether or not your work is compelling/original.
5) Tweet it like there’s no tomorrow.

The deadline for NetComics’ contest is November 30th.

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RightStuf also runs numerous small contests, a current one being a draw for a random bag of swag. And though not really a contest but still for the artistically-inclined, a reminder that Yen Press’s current talent search is still on-going with a deadline of January 3, 2011.


Viz Media Adds New Artbook, Natume Ono and Omnibus

Though news of Viz Media’s license-rescue of Tenjo Tenge stole the spotlight from yesterday’s press release, there was some other new titles slotted in there as well.

Blue Excorist and Nura: Rise of the Yokai Clan confirmed licenses previously revealed with more solid release dates while Natsume Ono’s La Quinta Camera is a fresh license from the creator of previous Viz Signature series, not simple and House of Five Leaves:

“A charming suite of linked stories from the acclaimed author of not simple and House of Five Leaves, set in an apartment in Italy. In four of the rooms live four single men with singular personalities. Into this peculiar ménage steps an exchange student, the new tenant of the fifth room. Brought together by chance, friends by choice, they pursue their dreams together as the days drift gently by.”

Icing on the cake of these licenses comes the reveal that Viz Media will be releasing the Vampire Knight artbook in English, similar to its previous art book releases for series such as Angel Sanctuary and Neon Genesis Evangelion. The book will be hardcover and presumably have the same large cut size as Viz Media’s previous art book releases.

There’s also some new releases to see on retail sites this week. Under Viz Media’s sci-fi novel imprint, Haikasoru, are two new books – Ten Billion Days and One Hundred Billion Nights (src: AAAAnime) and Cage of Zeus (src: AAAAnime). They’re also listing the novel edition of Metal Gear Solid 4: Guns of the Patriot (src: AAAAnime)

Also listing on said-retail sites are several more Shonen Jump series getting the omnibus treatment: Bleach, Naruto and Kekkaishi. Viz Media has already re-released several of its popular series in omnibus format, typically being 3-in-1, including One Piece, Dragonball and Fushigi Yugi. Each book will cost $14.99 putting the content at a fraction of buying them individually. I can speak from personal experience to say these are perfect for those looking to start these series from the beginning but are intimidated by the high book counts. (src: AAAAnime 1/2/3)

On the omnibus note, I continue to find it exciting just how many publishers are embracing omnibus editions – Viz Media, Tokyopop, Yen Press, Dark Horse, Vertical, DelRey (RIP), Seven Seas, Digital Manga – nearly the entire crew! It was near-exactly a year ago today we were contemplating their role in the future of manga and here we are now with such a strong mix of the two printed formats. While sometimes carrying a 600+ page book around isn’t the most feasible thing in the world, saving half-off the cost of buying them separately and getting triple the content still garners no complaints from me.


Viz Media Picks Up Tenjo Tenge For 2-in-1 Release

Good news for fans of Oh!Great’s martial arts, fan-service epic Tenjo Tenge – after much theorizing and cross-fingers, its new licensor has finally been revealed – Viz Media!

Viz has announced that they’ll be releasing the series from the beginning in a two-in-one format, meaning faster time getting through the series and some money saving as well. The omnibus trend continues! Each book will be $17.99/US and $21.00/CAN.  It’s nice seeing them opt to do two-in-one, over three-in-one as DelRey recently did with Oh!Great’s Air Gear – his work is a bit too much to take in that quantity all in one book. Plus of course’s it’s a nice even number for an even-numbered series.

Tenjo Tenge was previously licensed by CMX Manga, the release of which was met with scrutiny due to strict censorship. The last volume released by CMX was volume 18 while the series itself goes until 22 volumes total. Viz Media has stated that Tenjo Tenge will be released uncensored with a mature rating.

I’m honestly not sure if this is expected or not. Viz Media isn’t the company I’d first think of when considering where the content itself would best fit, though at the same time they seem the most financially sound and with the most consistent scheduling to be able to pick up a ‘rescued’ title of such popularity. Not to mention the fact that Tenjho Tenge is originally a Shuiesha title which is the parent company to Viz Media. Either way, sounds good for the fans! Can’t say I fall into that category (though I love Air Gear) but it’s always promising see a fan-favourite get a second chance.

News Source: Viz Media Press Release


Viz Media Launches Manga App for iPad Users

Viz Media announced the launch of their new iPad application earlier in the week – a digital shop downloadable on iPads where users can purchase volumes of their manga.

Volumes in this digital format will cost $4.99 each and Viz Media is currently offering the first volume of Death Note for free so readers can test out the program. Currently they’re offering the company’s big-name titles such as One Piece, Naruto and Dragonball. iTunes lists volumes of One Piece as being the top sellers on the app since its debut.

Personally this news doesn’t interest me much because, well, I don’t own an iPad. Even if I did, I prefer books in paper-format – personal preferable. For those who have an iPad and enjoy reading comics digitally, however, I can of course see the more jump-for-joy reasoning here.

Looking at from sheerly from an audience perspective, those who own an iPad have proven themselves already the type more apt to pay money for their hobbies and entertainment. It’s a perfect environment to find manga fans and create new ones on those grounds alone. Still, I have to wonder – those who own the iPad, are they the 12-16 year old audience that thebooks Viz Media is offering are aimed for? Highly doubtful. That Viz Media wouldn’t come out of the gate with more mature titles such as their Sig Ikki series, most of which already have at least some kind of digital rights as they’re posted to the imprint’s website on a weekly basis, boggles my mind and is a bit disappointing.

I’m not saying that readers of any age can’t or don’t enjoy the Shonen Jump big-guns, and there’s certainly value in putting out the big-sellers, but they hardly seem strong titles to use in reaching out to the vast majority of iPad owners who likely don’t read manga in the first place. It feels a mix-match of audiences.

Then again, the app has only been out since November 2nd, so who knows how many or how potentially diverse their manga offerings could be in the future.


Digital Manga Announces New Kodaka, Kikuchi and More

On the eve of this year’s Yaoi Con, Digital Manga has announced a handful of new titles, two of the three boys’ love. The news was posted on their website and official Twitter account.

Border – Kazuma Kodaka
Bad Teacher’s Equation – Kazuma Kodaka
Demon City Shinjuku: The Complete Edition (Novel) – Hideyuki Kikuchi

Edit: Kazuma Kobaka’s Border was originally announced publicly at the past Anime Expo. (Thanks, Jessica!)

They also announced the acquisition of the fourth volume of Makoto Tateno’s Blue Sheep Reverie. Also new to their website are Rabbit Man, Tiger Man (Akira Honma), Men of Tattoos (Aniya Yuiji), Butterfly of a Distant Day (Tooko Miyagi), That Was Good (CJ Michalski) and Your Story I’ve Known (Tsuta Suzuki). You can check out the pages for Border, Bad Teacher’s Equation and Demon City Shinjuku as well.

Though the titles themselves are exciting (more Kazume Kodaka – yay!), I was honestly even more pleased at the method of their announcement. Granted a blog-style announcement isn’t the most climatic delivery in the world, but it’s great to have it come directly from the publisher via their social media outlets and, most impressively to me, was also accompanied by the volumes being added to the website right away with the Japanese covers and release dates. An up-to-date website? Madness! Thank you, Digital Manga, for again proving you have one of the very best manga publisher websites for info on your titles! You make me and many others very happy.


The Manga Revolution? Digital Manga Guild Accepting Applications

Originally disclosed back in June, Digital Manga has now launched the official start of their newest digital manga initiative, and one that could potentially overhaul the way fans around the world enjoy the medium: The Digital Manga Guild. Credit and thanks to Daniella of All About Manga for sharing the link via her Twitter account.

“With the changing tide of the economy and the high cost and slow pace of producing print editions of your favorite manga, Digital Manga, Inc. has moved forward into this new digital venture to localize and produce manga online! Digital Manga has made agreements with six major Japanese publishers to provide content to our online platform, planned for a 2011 launch. Hundreds of untranslated titles will need to be adapted to the rest of the speaking world. That is where you, the fans step in.”

The website is pretty sparse right now but has open applications for groups and individuals to apply for potential roles as translators, editors, re-writers, touch-up artists and letterers. There’re no specifics on the experience required for applicants though there is a section to provide examples of your work.

It’s exciting to see the number of different languages Digital Manga is seeking translators for: English, French, Spanish, Italian, German, Korean and Chinese. Not only could this be a fantastic endeavour for Digital Manga’s current English market, but to manga readers around the world as well, offering a fan-involved, legal and artist supporting alternative to scanlations. This is a project definitely worth keeping an eye on and it’ll be great to see what first titles come out the door.

You can read more about the original discussion surrounding this project on the website, The Yaoi Review, including a follow-up response from the company president.


VIZ Launching Digital Supplement for Shonen Jump Subscribers

In the December 2010 issue of Shonen Jump USA, VIZ makes a major announcement with a splash page in the opening pages, and a small blurb in the  next issue previews  indicating-

“Subscribe NOW and next month you’ll get to read:

  • Nura: Rise of the Yokai Clan
  • Bakuman
  • Toriko

Available exclusively for subscribers online @shonenjump.com

VIZ already operates a digital preview of monthly issues of the print magazine at on the Shonen Jump website along with sample  of chapters of its ongoing graphic novel series. It appears this feature will launch next month, as there’s no news on VIZ’s Shonen Jump homepage as of yet.

Update: Shonen Jump Online Ad 01 | Shonen Jump Online Ad 02
(Editor’s note: Text is bottom of second image typed out for clarity.)

Shueisha themselves also have many sample chapters at their official English Shonen Jump homepage with sample chapters of their most popular series, and revolving samples of series unlicensed in the US like the currently showcased Light Wing. I’m assuming that VIZ’s site address in the magazine was a typo, though it would be interesting if they took over or merged with Shueisha’s shonenjump.com.

Whether the chapters of the three titles will simply be the usual 2-3 chapters of manga we see each month in Shonen Jump USA,  chapters running simultaneously with the Japanese edition similar to Shonen Sunday’s Rin-Ne , or simply the usual 3-chapter preview we normally get for new manga in Shonen Jump  is also unclear. At the moment, VIZ simply advertises it as an “online preview for subscribers only”. As such, it might be that these previews will be rotating series, though Toriko, Nura and Bakuman would make excellent ongoing additions if VIZ is planning longer runs. As both Toriko and Bakuman have already had short runs in the magazine, one would assume these online chapters will be from later in the series.

Nonetheless, this sounds like a major step forward for VIZ, adding a number of popular series that expand their offerings to their subscibers, and finding a way to potentially capitalize on digital manga by giving subscribers both a print and digital edition of the magazine with different sets of content. Given how lowpriced VIZ’s subscriptions are, around the same as 3-4 issues of the print magazine, this looks to be an excellent value for potential subscribers, and a different take from other initiatives not just by charging a subscription fee, but also by teaming it up directly with the print edition.

As a digital edition won’t be limited by page numbers, it also gives VIZ lots of room to grow in terms of adding further content. Personally, I hope fans support this iniative and encourage VIZ to build upon it. It’s a different approach with a more tangible value, a smart move to convince readers into boosting their magazine’s circulation, an inventive way to build on their existing digital anthologies, and a definite treat for those already subscribing to the magazine.

This is a small, but bold step for VIZ, considering the popularity of Bakuman, with Nura‘s anime being simulcast by their anime division, and Toriko also having a sizeable cult following. When one considers that there are only four regular ongoing series in the print edition currently, having three additional chapters online is a considerable boost, and the range of themes adds some diversity. Toriko‘s strange combination of First of the North Star style heroes and the cooking manga genre, Bakuman‘s manga about making manga aspect and Yura‘s anime tie-in make for an excellent range of titles. This will apparently be further augmented by the addition of print chapters of YuGiOh 5D‘s and Psyren, which appear to be ongoing additions rather than previews. It’s been awhile since VIZ added an ongoing series to the book, and these two should help break up the  Naruto/OnePiece dominance the magazine has had lately.

I imagine some might quibble over the subscription aspect, but this is a move that serves their artists and subscribers well – rewarding their existing readership, and setting up a system that will potentially allow more content and profitability than an advertisement focused website like Shonen Sunday and SigIkki.

It remains unclear if this is the big news VIZ was touting as arriving this week, though the timing would indicate it just might be. This is a move with lots of potential, and a major step forward considering up until now, the majority of VIZ’s digital content came from Shogakukan. Having access to Shueisha’s titles for digital editions opens a lot of opportunities, and I hope fandom will move forward with VIZ on their new venture, and help stabilize manga in what have been uncertain times for the industry.


Vertical’s Announcement of No Longer Human ‘Premature’

Vertical has made an announcement on their website today that their license announcement of Furiya Urusama’s No Longer Human was “prematurely disclosed”. The license was originally announced just this past weekend at New York Anime Fest.

“Due to a communication error between the company’s New York and Tokyo offices, the property was falsely presented as slated for publication. While the licensors for this series and Vertical are currently actively in contract negotiations, the North American rights have not been secured. Vertical, Inc. will continue to work with the rights holders for No Longer Human with hopes to properly acquire the license, and it apologizes to all parties involved in this unfortunate and unintentional error.”

This isn’t the first time this has happened with Vertical in particular. News of their acquisition of Osamu Tezuka’s Ayako was out to the public prior to finalizations of the contract after the listing appeared on Amazon and, in an unrelated event, was revealed by a representative at one of their Vertical Vednesday presentations.

Incidents like these always make me wonder – what kind of guidelines do companies generally follow when it comes to proper handling of yet-to-be-finalized titles? For a good while, and still to some point today, it was common place to find out new licenses some time before they were officially announced simply by searching the newest manga additions on sites such as Amazon, RightStuf and AAAAnime. But in some instances it’s even been said the revelation of said titles immediately jeopardizes the license itself. Why then do companies make the thus presumably very risking decision to submit these books to distribution channels so early?

Read more…


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